Statham defended Shaw’s actions in Tokyo. That led to “Hobbs & Shaw,” in which he’s fully ascended to hero status, reconnecting with his MI6 agent sister, Hattie (Vanessa Kirby) at the behest of their mother (Helen Mirren) to take down ex-pal turned cybernetically enhanced supervillain Brixton Lorr (Idris Elba). Then a redemption arc written into the eighth film, “Fate of the Furious,” earned Shaw an invite to the family cookout.
#Jason statham movies 2019 series#
The “Fast and Furious” series swelled into a $5 billion-plus grossing property worldwide partly because it experimented with traditional franchise-building while preserving its brand identity when Walker tragically died in 2013, filming of “Furious 7" was halted and his character’s arc rewritten into an emotional farewell, carrying the notion of family beyond the screen.Īfter that Universal sped ahead with an ambitious expansion of the “Fast” mythology, diving deeper into twisty techno-spy plot lines, bringing in new villains like Charlize Theron’s Cipher, and exploring further potential spinoffs including “Hobbs & Shaw,” an animated series and the potential female-led installment Diesel teased in January.
Sequels pushed the series to increasingly turbocharged heights, assembling a multicultural cast of international antiheroes and bringing ever more mythical, over-the-top action to life.
#Jason statham movies 2019 movie#
The “family” mantra has defined the “Fast” franchise since it exploded from the relatively humble bromantic beginnings of 2001’s “The Fast and the Furious,” a gritty, L.A.-set B movie starring Vin Diesel and the late Paul Walker as racers who find brotherhood from opposite sides of the law.
The surprise cameo revealed Shaw as the mysterious figure responsible for the fiery car wreck that killed fan fave Han Seoul-Oh (Sung Kang) in 2006’s “Fast & Furious: Tokyo Drift.” It set the stage for a showdown in which Shaw was the big bad bent on destroying Dom Toretto’s crew in “Furious 7.” That’s because if there’s a single defining moment for Shaw in the beefiest franchise on the planet, it’s the villainous act that introduced him at the end of 2013’s “Fast & Furious 6.” What is #JusticeForHan? It’s the rallying cry parts of the fandom have championed since British special-ops assassin Shaw took an abrupt turn-to-the-good in the eighth film, “Fate of the Furious,” and a piece of “Fast” history fans refuse to forget. But Justice for Han is coming, promises Chris Morgan, writer-producer of the hit series. The Pulitzer submissions from Morris (who's only 36) covered films and subjects such as "The Help," "Mission: Impossible - Ghost Protocol," "The Tree of Life," "Drive," the "Fast and Furious" series, "Scream 4," "Weekend," "Water for Elephants," Sidney Lumet and Steve Jobs.With this weekend’s box office-topping release of “Fast & Furious” spinoff “ Hobbs & Shaw,” Jason Statham’s Deckard Shaw has been firmly reborn as the franchise’s “misunderstood” hero.
Scott and Manohla Dargis is far and away the finest in that paper's history. And that's saying something: The New York Times team of A.O. With him and Ty Burr on the movie beat, the Boston Globe now has one of the best critical teams around. I was first impressed by Morris's writing when he was in San Francisco, where he wrote for both the Chronicle and the Examiner, in the late 1990s. Scott (New York Times, 2010) - and I've read and admired many of them over the years.
Earlier this week Wesley Morris of the Boston Globe became only the fourth film critic to receive a Pulitzer Prize, after Roger Ebert (Chicago Sun-Times, 1975), Stephen Hunter (Washington Post, 2003) and Joe Morgenstern (Wall Street Journal, 2005).Ī few other movie critics have been named as Pulitzer finalists - Stephen Schiff (Boston Phoenix, 1983), Andrew Sarris (Village Voice, 1987), Matt Zoller Seitz (Dallas Observer, 1994), Stephen Hunter (Baltimore Sun, 1995), Peter Rainer (New Times Los Angeles, 1998), Ann Hornaday (Washington Post, 2008), A.O.